A look at the ingredients of Neustrom’s ‘Jambalaya’ urged on by the pandemic with a side of her Swedish culture

Emily Neustrom brings her record release party to the Blue Moon Saloon, Saturday, April 2, 2022. submitted artwork

by Dominick Cross

LAFAYETTE, LA — The pandemic gets a lot of blame for a lot of things and nearly all of it deservedly negative.

There’s probably not another side to this COVID coin, you know, where some good would ordinarily be found, so perhaps one should zoom in along its edge.

And it’s here, during the past two years of downtime, that some people examined their lives, or looked at their own mortality, or even pursued a long-sought goal.

Emily Neustrom, a Lafayette native living in New Orleans, is all of those people.

“I’ve been dreaming of making a record for 20 years,” said Neustrom. “I think the pandemic made us all question our lives and death and what do we want to do and what haven’t we done.”

This thought pattern resulted in Neustrom’s debut CD, “No More Jambalaya,” a solo effort and genre-bending recording that’ll make its Lafayette debut Saturday, April 2, 2022, at the Blue Moon Saloon, 215 E. Convent St.

“And so, for me,” Neustrom said. “This was the biggest thing I wanted to make sure I did before I died.”

The lively program gets underway at 7:30 p.m., and features, in order of appearance: Band Practice, Yates Webb, Neustrom and Pinecone Brothers.

Neustrom’s all-original release does not neatly fit into any particular music category.

“It doesn’t matter to me, but apparently the Internet wants you to define it,” said Neustrom, addressing the issue as only she can. “I did put non-binary country. But I don’t even consider myself country. Maybe non-binary Americana. I don’t know.

“Sometimes I describe myself as singer/songwriter, sometimes it’s like country/folk, or just straight up folk,” she said. “Some of songs, to me, feel more like indie pop.

“So, it’s kind of a combo,” said Neustrom. “If Americana is a catch-all, then that’s fine.”

No matter the style of music, the subject matter of the songs will be familiar.

“I would say they range from death to dancing to love, or ex-boyfriends or something,” Neustrom said. “The name of the album is ‘No More Jambalaya,’ a feminist rant, or just a song for the ladies.”

‘When you share your own story, whether it’s heartbreak or joy, I feel like that’s what people connect to. It’s stories that are true to me.’

Emily Neustrom

While the pandemic may have spurred Neustrom to take care of business and get the recording out, she also got a nudge from her Swedish heritage.

Neustrom said the release of the album is a part of the “Swedish Death Cleaning of my soul,” she said.

“Swedish Death Cleaning is you live and keep your house and your things with death in mind,” said Neustrom. “So, imagining someone is going to come into your house after you die and have to deal with all of your shit. So it would be better if you just deal with your shit before you die.

“That’s what I’m trying to do on a soul level,” she said.

And the outcome?

“I feel amazing. It’s so liberating. It’s so scary, but it’s so liberating,” Neustrom said. “For me, it was like a weight on my heart and mind not having put my songs on an album to share with people publicly. So, this debut record is accomplishing my goal of sharing myself.”

While she shares herself through her songs, they story they tell should be familiar to everyone.

“When you share your own story, whether it’s heartbreak or joy, I feel like that’s what people connect to. It’s stories that are true to me,” said Neustrom. “There all either happy times or sad times. It’s just life.

“So for me, it’s sharing my stories through song and I hope people resonate with the emotions and feel comfort maybe by connecting through music and hearing someone else’s story.

“I think it makes us feel less alone,” she said. “That would be my goal if someone can feel less lonely.”

The CD was recorded at Chad Viator’s home studio and where Neustrom recorded demos over the years.

“Chad Viator is so talented and thoughtful as a producer. In the studio, you can make things sound ways that really bring them to life in a new way,” said Neustrom. “I showed up with just my guitar, lyrics and melodies. I mean, songs that I had written and were complete, and some were not complete and we finished in the studio.

“He just was able to add a lot of emotion and support the lyrics and the sentiment of a lot of songs,” she said, referring to the production and arrangements and instrumentation or ornamentation of the songs.

Artists featured on the record include Viator, Tif Lamson, Chris Stafford, Leah Graeff, Marie-Isabelle Pautz, Michael Doucet, Chris French, Peter Dehart, Josh Leblanc and Julia Price.

Neustrom had one word for Lamson’s contributions on drums and vocal harmonies.

“Incredible,” said Neustrom, who also gave a shout-out to “my old college roommate and Swampblossoms bandmate, Marie-Isabelle Pautz.

“I had a blast making this record with friends that I love and who are so supportive and that makes all the difference in the world,” she said. “It was a beautiful experience.”

Neustrom has enough songs written for a second release. But she’s got plans in the meantime.

“I’m going to start gigging more in New Orleans and Lafayette,” she said. “I’d like to play a bunch locally in Louisiana and get to know Louisiana dancehalls in that way.

“I’d love to go on a tour,” added Neustrom. “But you kind of need to be better known, or partner with other local bands.”

‘Transfixed and totally in the moment; heart poured in every note’ — Sonny Landreth lauds Bruce MacDonald

Bruce MacDonald’s red Gibson 335 and Bassman Amp.

by Sonny Landreth

Bruce and I first connected and started hanging out in the early ’70s when he was playing with the band Rufus Jagneaux. They had burst on to the local scene like a force of nature with their big hit, “Opelousas Sostan,” and were playing everywhere.

Those were fun and formative times for a lot of musicians, artists and friends, and Bruce and I were right in the middle of it all with our mutual bands like a gathering tribe. Though he and I never officially formed a group, we sure jammed a lot, played gigs together and encouraged each other with equal parts admiration, sympathy and humor.

There was a lot of creativity in the air back then, and that required some trial and error on a regular basis. I honestly don’t remember whose idea it was, but I once traded a brand new Fender Twin Reverb combo to him for his older, ’60s Blackface Bassman amp head. Now, of course, it’s well known that his amp is a highly coveted model that is still sought after by players and collectors alike. Back then? Not a clue. I just knew it was the best sounding amp I’d ever played.

Bruce MacDonald, guitarist extraordinaire, and, quite the character

‘He played with such a fierceness and tons of soul’

But after only a few days, Bruce called in a panic and asked if we could reverse the swap so that he could get his amp back.

It was kinda sweet, really, because it made me realize how much it meant to him, and I knew why. I said, “Sure, man, it’s still really your amp and always will be.” And it was true. He played his red Gibson 335 through that Bassman from then on and had his sound that only he could get.

In fact, some of my favorite memories of playing music are of Bruce onstage and on fire. Eyes closed, not so much as a glance at the fretboard, he would become transfixed and totally in the moment, pouring his heart into every single note. It seemed like a sudden force was at his back hurtling him through space. It was a joy to behold and to hear, and I’ll never forget that feeling.

Soar on, brother. The tribe will miss you greatly.

Sonny Landreth, Louisiana singer, composer and renown musician known for his slide guitar playing and advanced technique. Landreth and fellow guitarist, Bruce MacDonald, go way back. MacDonald died March 27, 2022.