Dana Cooper reflects on ‘Facing the Truth,’ his latest, with a CD release event at NuNu’s Arts on Wednesday; Renée Reed opens

Dana Cooper

by Dominick Cross

ARNAUDVILLE, La. — Of course he was driving his car when we talked.

Dana Cooper, singer/songwriter, was heading to Arnaudville from Nashville for his 7:30 p.m., Wednesday, April 6, 2022, show at NuNu’s Arts & Culture Collective, 1510 Bayou Courtableau Hwy.

Local talent and singer/songwriter in her own right, Renée Reed, opens the program.

On site will be a culinary pop-up by Five Mile Café. Tickets are $20; door opens 5:30 p.m. Music at 7:30 p.m.

Cooper also has an interview/performance prior to his NuNu’s gig, noon, Wednesday, on KRVS 88.7 FM on Cecil Doyle’s Medicine Ball Caravan.

Cooper is touring behind the release of “I Can Face The Truth,” his latest of 29 recordings since he started his music career in 1973.

“I was kind of reflecting on that, you know, my life and my own faults and choices I’ve made in life and stuff,” said Cooper. “The funny thing is, is the chorus, ‘I can face the truth, but please not today.’ Human nature, you know, how we kind of put it all off ’til later.

“It’s not always easy to face up to all that stuff.”

Cooper started on the CD before the COVID pandemic, “but it took a couple of years to work on it because of COVID,” he said. “I started a few months before and then I went out on the road.

“I was out on the road on the West Coast when COVID really hit us full force,” said Cooper. “And I came home, and then we’re all isolated for seven, eight months and then we went back in occasionally, Dave Coleman and I, worked together with our masks on and built what we could out of it until we could actually safely get people in there again.

“It was just a process, it took a while.”

Cooper and co-producer and multi-instrumentalis, Dave Coleman, enlisted songwriters, singers, and musicians from the US and Ireland for the CD. Collaborators in the studio include Tom Kimmel, Kim Richey, Jonell Mosser, Maura O’Connell, Brother Paul Brown, David Starr, Rebecca Folsom, and Gillian Tuite.

Like many singer/songwriters, Cooper is put in the Americana category. And, like his brethren, well, it is what it is.

“They kind of lump me in in with Americana, you know, but I really feel like I,” he paused, then continued. “As a songwriter, I’ve always kind of written all over the place.

“So I write things that are bluesy and country and folk and rock and pop and just whatever I want because I like all kinds of music,” said Cooper. “So I try to incorporate it all in what I’m doing.

“But, yeah, it’s Americana what I’m doing right now.”

When a song comes to Cooper it could be anytime, anywhere.

“I never know when they’re going to come. They show up pretty much unexpectedly when they happen, the ideas I get,” Cooper said. “It’s changed over the years. Pretty much everyday I come up with some kind of a rhythmic idea or a melody or a lyric and I’ll jot it down or hum it in in my recorder.

“I collect these ideas and then every week or so I kind of go back over what I’ve been coming up with and see if there’s anything worth pursuing,” he said. “Sometimes, I will just get an idea and I’ll have time to sit down and actually just start working on it right in the moment.

“That’s become rare these days. I’m busy doing so much traveling and ad man work on a computer and all, I don’t have as much creative time available as I would like.”

penDana Cooper is touring behind the release of “I Can Face The Truth.” A CD release event is Wednesday, April 6, 2022 at NuNu’s Arts & Culture Collective in Arnaudville. Renée Reed opens the show.

So, yeah, portable recording technology comes in handy for Cooper.

“I’ll get a lot of ideas on the road when I’m driving and that’s when I’ll just hum them or sing them into my recorder,” said Cooper. “And after gigs a lot of times, I’ll sit around for a while and play the guitar, come up with some ideas that way, too.

“But they can come from the guitar, from a music idea; they can be a rhythm idea,” he said. “That’s where most of my things start, from one or the other of those. And then I’ll start working on lyrics.”

While some of Cooper’s songs can comment on social or political issues, they’re not in your face tunes.

For instance, take the title song of his latest ‘Face the Truth’ release.

“That’s kind of reflective of the times we’re in, when it’s hard to know what the hell the truth is these days,” said Cooper. “That’s kind of one of the underlying themes in that song, without it really getting political or anything.”

Other songs, “Summer in America” and “Walls” said Cooper, are some of the more “topical songs” on the release.

“So, yeah, I tend to write about the things that concern me and I try to do it in a way that is not confrontational or divisive with people,” he said. “I like to maybe make people just kind of reconsider, sometimes, maybe their viewpoint.

“I try not to shove anything down people’s throat,” Cooper said. “I’ve found you don’t really get much anywhere that way.”

Cooper is rather familiar with Cajun music.

“Like I said earlier, I love all kinds of music and Cajun music has always fascinated me. I’ve listened to quite a bit of it,” he said. “I’m not any kind of an expert on it, but I do love it.

“I’ve leaned on that a little bit with some of my songwriting,” he said. “I’ve got a few things that were inspired by Cajun music.”

One of those songs is “Acadian Angel,” he wrote with Shake Russell.

“I’ll probably be playing a couple of those in my show,” he said. “Like I said, I’m kind of all over the place.”

Despite the the splash MTV made a splash on the music scene, Cooper keeps the music video in its place when it comes to songwriting.

“Not when I’m writing something usually. I mean it might occur to me that something might look cool some way visually,” he said. “But that’s usually after I’ve written a song and then I’ll consider what to do with it visually.”

Cooper said while most of his music vids are selfie videos, he calls on friends to help with the others, including “Bluebird,” which is on “I Can Face The Truth.”

“I’ll go out there and put it together the best I can,” he said of the selfies. “But I’ve worked with some friends, too, in Nashville. In ‘Bluebird’ (with Tom Kimmel), it was like, ‘Hey, this would be great, obviously, to have some aerial footage.’

So Cooper contacted friends in Texas who do just that and the Lone Star countryside, shot from above, is in the music video.

“I asked if they would contribute some stuff and gave them some ideas of what I was looking for,” said Cooper. “So they sent me a whole lot of aerial footage that I had to comb through and cull from.”

Cooper rarely tours with a band.

“I’ve been doing the solo thing for a while and economically and logistically, it’s just easier,” he said. “But I do occasionally. I’ll be playing in Nashville, I’m doing a show in May with a band there, some of the people who played on the album with me.”

And while on tour in Texas, “I’ll do a pick-up band down there sometimes because I know a lot of people there,” he said. “But it’s pretty much a solo show.”

“I Can Face The Truth” is charting on five radio charts. It ranked- #8 FAI Folk Chart Album, #8 Folk Chart Artist for February. It debuted on NACC Folk Chart at #17. Also on Alternative Country, Roots Music & Americana Charts.

“All these shows I’m doing right now are being billed as CD release shows,” he said. “I’ll do the songs off the new record, plus a collection of songs from my other 29 records.”

“I’ve been doing a lot for a long time,” said Cooper. “Some of (albums) were with other folks. I’ve played with a couple other people over the years, we put out records together. They weren’t all solo projects, but most of them are.”

Off the Record

Harp on

The Society for the Preservation and Advancement of the Harmonica, via live broadcast on Youtube recently, let it be known that Jerry Devillier, of Eunice, was selected by a panel of his peers as the recipient of 2020’s “Lifetime Achievement Award.”

SPAH is the largest international harmonica organization which features many of the greatest harmonica players worldwide.

It was part of the organizations award ceremony, August 11-15, that culminates its four days of teaching and live performances to large gatherings of people that usually attend the organization’s conference, held annually at a major city.

Devillier continues to be an ambassador for Cajun music and its culture on a worldwide platform.

Due to the coronavirus/COVID-19 pandemic it was performed on live stream.

Trust-worthy

The Louisiana Trust for Historic Preservation recently honored 10 new award recipients for their impactful efforts to save historic places, build pride and foster engagement in their communities.

Main Street Award – Houma Downtown Development Corporation, Houma
Education Award – Cooley House Foundation, Monroe
Leadership Award – Betty Reed, Lake Providence
Organizational Excellence Award – Morganza Cultural District, Morganza
Stewardship Award – Cameron Preservation Alliance, Sabine Pass Lighthouse Phase 1
Diverse Heritage Award – Gaynell Brady “Our Mammy’s,” New Orleans
Living Trades Award – Dale Pierrottie – Bousillage Specialist, Lafayette
Louisiana Heritage Media Award – Amy & Kelby Ouchley, Rocky Branch
Sue Turner Preservationist of the Year Award – George Marks (NUNU Arts & Cultural Collective), Arnaudville
Winnie Byrd Preservationist Extraordinaire Award – Chee Chee & Lazar “L.J.” Gielen, Crowley
New award categories for this year include Stewardship; Diverse Heritage; Living Trades; and LA Heritage Media Award. If you would like to nominate a person or organization for the 2021 Louisiana Preservation Awards, please contact info@LTHP.org.
For more information about the awards and winners, go here.

French Culture Film Grant winner

The recipient of the 2020 French Culture Film Grant is the narrative short film, “17 Year Locust.”
“17 Year Locust” is written by Trevor Navarre, directed by Logan LeBlanc and produced by Allison Bohl DeHart.

Now in its forth year, the French Culture Film Grant is a unique opportunity designed in partnership with lead sponsor TV5MONDE USA, America’s only 24/7 French language entertainment channel.

“17 Year Locust” synopsis: When a struggling immigrant takes a job as a caregiver to a dying woman, she shares with him a secret that casts a haunting shadow on the American life that he has desperately been pursuing.

#CreateLouisiana announced the award in July.


LFR online classes

Louisiana Folk Roots offers lessons for every skill level, including scratch/beginner, intermediate, and advanced on accordion and fiddle, as well as singing and guitar.
Pre-recorded video lessons with some of Cajun music’s best, Brazos HuvalChad HuvalMegan Brown Constantin, as well as Louisiana French lessons with Codofil-Agence des Affaires Francophones de Louisiane’s Maggie Perkins Justus.

All levels follow the same five songs:

“Le Moulin” by Adam Hebert https://youtu.be/CYpuHiZ-zTw
; “Amite Casse” by Horace Trahan https://youtu.be/JsWzzznjNb4
; “Mon Coeur Fait Mal” by Racine https://youtu.be/1QtXvR8XqX8; 
“I Don’t Hurt Anymore” by Nathan Abshire https://youtu.be/3dK7JmFl3Hc; 
“Jolie Fille” by The Touchet Family https://youtu.be/HNi8Ru96MHQ
There are also lyric sheets and vocabulary sheets, as well as resource guides in all of the appropriate lessons.

Look for more content in the coming months.

A suggested donation is $100 or less. For more info, go to www.lafolkroots.org.

‘American Longhair’ vinyl reissue

Dege Legg’s “Folk Songs of the American Longhair” is out on vinyl for its 10th anniversary.

From Brother Dege on Facebook: “Been a long, up & down, wild ass journey, my loves. Much thx to you for taking the ride with me. In many ways, it’s only just beginning. Keep fighting the good fight out there in whatever way it is you do it. Cheers.”
Go here for album.

As you know, “Too Old to Die Young” was featured in the Quentin Tarantino film, “Django Unchained.” But there’s more: “Frankly, every track on Brother Dege’s Folk Songs of the American Longhair CD could have been in the movie [Django Unchained]. It has a badass score sound to it. Almost every song could be a theme song. It’s like a greatest hits album. But this song ‘Too Old to Die Young’… it’s pretty damn badass. And it’s used in the movie in a pretty damn badass way, I’ve got to say.” – Quentin Tarantino

Renée Reed’s new deed

Renée Reed follows up her captivating debut single “Out Loud” with “Until Tomorrow,” an effortless, inspired union of the haunting folk music that she was raised on and a lilting, lost ’60s French-pop gem on the Keeled Scales label.

Renée is the daughter of musicians Lisa Kaye Trahan and Mitch Reed.

Language & cultural preservation

Although French is spoken less with each passing generation in south Louisiana, some are fighting to preserve the language and keep their traditions alive.

Check out the report from France 24’s Fanny Allard here.

Upcoming and recently released music that may well interest you:

July 1, 2020
Sean Ardoin: Came Thru Pullin’ (Zydekool)
Cameron Dupuy and the Cajun Troubadours: Cameron Dupuy and the Cajun Troubadours (Independent)
Beth Patterson & Hugh Morrision: Iron Roux (EP) (Dun Eistein)
Supercharmer: Magically Bodacious! (Independent)
Warren Storm with Herb Landry & the Serenaders: Live 1957  (Swamp Pop Records)

July 3, 2020
Bobby Mitchell: Try Rock And Roll (Jasmine)
subdudes: Lickskillet (Independent)

July 10, 2020
Johnette Downing and Dickie Knickerbocker: New Moon, Tunes for Little Folks (Independent)

July 13, 2020
Maceo Parker: Soul Food: Cooking With Maceo (featuring a large cast of New Orleans Musicians) (Funk Garage)

July 15, 2020
Monique Bornstein & James Andrews: Born in the Treme (BOOK)  (Independent)
Kidd Jordan: Last Trane to New Orleans (Independent)

July 17, 2020
Gregg Martinez: Mac Daddy Mojeaux (NOLA Blue Records)
Michot’s Melody Makers: Cosmic Cajuns from Saturn (Nouveau Electric Records)

July 24, 2020
Billie Davies: Whadeva (Independent)

August  1, 2020
New Orleans Johnnys: Outta Ya Mind Masters (Independent)

September, 2020
Chris Joseph: Life is a Ride: Overcoming Cancer in Unconventional Ways (BOOK) (Threadhead)
Ingrid Lucia: t.b.a. (Independent)

Fall 2020
Maggie Koerner: Images (Concord Records)

Release dates not yet announced
Big Chief Donald Harrison Jr.: The Eclectic Jazz Revolution of Unity (Independent)
Keith Burnstein’s Kettle Black: Things That Are Heavy Make Me Feel Light (Independent)
Little Maker: The Salty Seas We Used to Know (Independent)
Jeremy Davenport: t.b.a. (Basin Street)
Nicholas Payton with the Simphonieorchester, Basel: Black American Symphony (BMF)

Released in June 2020
Johnny Adams & Lee Dorsey: Johnny Adams Meets Lee Dorsey (Jasmine)
Jeff Albert: Unanimous Sources (Breakfast for Dinner Records)
Bad Moon Lander: Chinese Lanterns (Bubble Bath Records)
Jimmy Buffett: Life on the Flip Side (Mailboat Records)
Grayson Capps: South Front Street: A Retrospective 1997-2019 (Royal Potato Family)
Bobby Charles: Alligators, Sprockets & Bended Knees (Jasmine)
Dr. John: Ske Dat De Dat  (Limited reissue on vinyl) (Last Music Company)
John Lisi & Delta Funk: Retox (Rabadash Records)
Little Death: Little Death (Strange Daisy Records)
Wynton Marsalis: Black Codes (From the Underground) (Reissued from Sony Records) (Music on CD)
Mighty Brother: The Rabbit, The Owl (Independent)
New Orleans Jazz Vipers: Is There a Chance for Me (Independent)
Professor Longhair: The Bach of Rock (Sunset Blvd)
Some Antics: Some Antics (Independent)
The Write Brothers: Into the Sky (Threadhead Records)
Various Artist: Boppin’ by the Bayou: Feel So Good, Volume 22 (Ace)
Various Artist: Cry You One (Soundtrack) (ArtSpot)
Various Artists: Prison Music Project Sessions (featuring Ani DiFranco, Terence Higgins, Zoe Boekbinder, and more)(Righteous Babe Records)
Johnny Vidacovich: ’bout Time  (Independent)