Chambers talks platform, Kennedy, and, of course, the ad that launched his senate bid

U.S. Senate candidate Gary Chambers Jr. in Lafayette. DCross/photo

by DOMINICK CROSS

You know, it’s more of a no-brainer than wishful thinking to run against Louisiana Sen. John Neely Kennedy.

Of the things he hasn’t done for Louisiana, just keep in mind that the Republican senator voted against the infrastructure bill.

If Kennedy’s vote had been in the majority, Louisiana would’ve missed out on an incredible opportunity of improved roads and safe bridges for those who live here and not in Washington, D.C.

Kennedy didn’t just poke President Joe Biden in the eye. Nor did he only put it to the Libs.

Sen. John Neely Kennedy (R) apparently is not aware that registered Republican voters also drive these same roads and over the very same bridges.

In no small way, Sen. Kennedy told his constituents that they, too, are simply fodder and a contemptible means to his ends.

And it’s at those ends you’ll find his blind fealty to Donald Trump.

The Republican senator couldn’t even hold the former president accountable for his role in the January 6, 2021, attack on the U.S. Capitol.

And then, after the smoke settled on that fateful January day and Congress came out of hiding, Kennedy joined the ridiculous effort to overturn certified election results that went for Joe Biden.

But I digress.

Enter Gary Chambers Jr.

“Other than being entertaining sometimes, he does very little for us,” Chambers said of the senator. “John Kennedy needs to be challenged by somebody who is not going to play with him.”

Chambers also said that this same somebody is one who need not “pretend that they care so much what the Democratic Establishment says that they cannot move people that are non-chronic voters to show up to vote.”

Chambers, a Baton Rouge native and social justice advocate running for the U.S. Senate, spoke to about 40 area residents Thursday, April 14, 2022, evening in downtown Lafayette at a gathering billed as Backyard Conversations with Gary Chambers.

Chambers motto is Do Good, Seek Justice. He’s been leading the fight for a better, more just Louisiana.

Prior to his announcement for senate, Chambers helped get an emergency room in North Baton Rouge when two hospitals closed; led the effort in the name-change of Robert E. Lee High School in Baton Rouge; and helped to keep the Baton Rouge Zoo in North Baton Rouge.

During his talk, in the Q&A that followed, and in general conversation, it’s readily apparent that Chambers also walks the walk.

“They talk about cannabis being a ‘gateway drug.’ I do think it’s a gateway drug — to better roads, better schools, better bridges and better opportunities for people.”

Gary Chambers

“When you look at where we are as a state, roads are not red or blue. Roads are not Democrat or Republican. Roads are for everybody, ok,” said Chambers. “And the man voted against the Infrastructure bill.”

Whether one is a fan of Biden or not, “At the end of the day, he had a plan that was going to bring $7B to Louisiana that was going to fix roads and bridges,” he said. “And (Kennedy) voted against it.

“I promise you, you will not agree with everything that I do if I’m your U.S. Senator,” Chambers continued. “But you will not have a problem with me voting for roads and bridges. That just doesn’t make sense and I don’t think that it makes sense to most of us.”

Chambers took note of the current Republican effort across the country to disenfranchise voters, as well as the Louisiana Legislature’s recent thumbs down to secure a second African American congressional district.

“I believe that where we are as a country is a very tricky place and that if we are not careful, our children will inherit a world that is much less democratic, or democracy is much less abounding for our children than it is today,” said Chambers. “There are people that are working in every corner of this country — from Ohio to Georgia, to here — to restrict people from access to the ballot.”

“Black people make up 34 percent of the state of Louisiana,” he said. “But there’s one Black congressional district for this state.”

The contender said the issue matters because “that means there’s one Democratic congressional seat for this state. There’s one democrat going to D.C. to fight for all the other democrats in this state — not just black people — but people who want to see our state have a fighting chance.”

Louisiana goes to the polls in November where along with Chambers, two other Democrats, Luke Mixon and Syrita Steib, seek to unseat Kennedy.

In January, Chambers rocked the political world with an ad of him smoking a blunt in order to get a new conversation going about marijuana, and, “how do you get people to pay attention to what’s happening in Louisiana without a little bit of ‘shock & awe.’”

(The candidate followed up the ad with one of him burning a confederate flag.)

Chambers wants to get the word out on the injustices that has befallen many people who smoke pot, the business potential, tax revenue and related industry in direct relation to the plant.

“But talking about the data, a man named Kevin Allen, right now, in this state, is sitting in Angola Penitentiary serving a life sentence,” said Chambers. “He has been there since 2013 for less than a blunt of weed.

“While, currently, Colorado, with the fourth-ranked education system in the country, is breaking records in tax revenue and sales, improving their infrastructure, improving their education system,” he said. “While Louisiana ranks 50th.”

Chambers said the state’s commitment to the oil and gas industry “like that’s the only jobs we can find in this state,” needs to be reexamined.

“The truth is, we’ve got a lot of land that we’re going to drive by,” he said. “Why can’t we get some agriculture going there and not just cannabis for recreational use, hemp, and all of the things that go along with this industry.

“You guys know that they build houses out of hemp, now? That they make clothes out of hemp? That this is not just about people smoking, this is about a product that can be used to create thousands of jobs.”

“So, yes, I smoked a blunt to make us have a conversation about the inequity that surrounds that issue and the opportunities that surround it,” said Chambers.

“They talk about cannabis being a ‘gateway drug.’ I do think it’s a gateway drug — to better roads, better schools, better bridges and better opportunities for people.”

U.S. Senate candidate Gary Chambers Jr. DCross/photo

Chambers reminded the crowd of the $2B deficit left to the state after Republican Bobby Jindal sat in the governor’s chair for two terms and what it took to right the state’s ship.

“We figured out how to tax the hell out of us to get the money out of the hole,” he said. “But the way we continue to make sure that this state doesn’t end up in that situation again is, we build a diversified, thriving economy.”

And to be able to do that means having everybody on the same page.

“That means that every partner in every branch of government has to be working together. You guys can imagine that John Bel and John Kennedy don’t work together too much. That doesn’t benefit our state. That doesn’t benefit working class people,” said Chambers.

A partner of the same party on the federal level is one way to make it happen.

“And so, I may be a little loud, I may be a little unorthodox, but I think that’s what’s going to win this election,” Chambers said. “I don’t think you beat Kennedy by running to the center and hoping that you get a bunch of Republicans to switch over.

“I think you run on the values of supporting a woman’s right to choose. I think you run on the values of providing green opportunities and new jobs in communities,” he said. “I think you run on the values of democracy and protecting the right to vote and you touch the percentages of people that don’t show up to vote.”

Getting people to the polls is key to victory, especially those who don’t vote, both registered and those who need to, but have not.

“(When) John Bel became governor, 50 percent of Black New Orleans did not go vote; 45 percent of Black Baton Rouge did not go vote. About the same in Shreveport,” said Chambers. “Kennedy was elected with 536,000 votes. There’re 900,000 registered Black voters and about 30 percent of White voters in this state who are going to vote Democratic when they go vote.

“The math is there. Also, there’s 1.2 million eligible Black voters in the state of Louisiana. So, there’s another 250-300,000 voters that are not registered that could be mobilized that agree with you and I on policy.

“I thought Build Back Better was a great plan. Do I think that there needs to be more in it, be more inclusive? Yeah. But I think that you don’t let perfect get in the way of good.”

Gary Chambers

Chambers has a theory why the Democratic Party have not pursued such voters in earnest.

“Real simple. The Party wants a centrist, the people don’t,” he said. “If we are going to change this state, we’ve got to be bold like other states have been. We have got to organize and raise resources. One of the things you’re going to find out in the next few days is that we’ve raised a lot of money in the first quarter.”

Money is paramount for victory in politics these days and Chambers said he and his team have been “been darting all over the country raising money to make this a national race so that we can have the resources to be competitive, but I can’t win without people like y’all.”

In addition to fund-raising, a successful political run requires organization and reaching out to voters.

“I’m one man and this is one team, but it’s going to take thousands of us organizing around the state and knocking on neighbor’s door and telling them the numbers so that they can know what’s possible.

“The reason people don’t go vote, or don’t participate in the process is simply because they don’t know their power; that nobody’s ever told them these are the numbers and it’s that simple.

“(Louisiana Governor) John Bel (Edwards) was elected with 700 and 40-something thousand votes; 450,000 of them were Black voters. Why (hasn’t) anyone told you that before now?

“Because they don’t want you to know that there’s another 500,000 of them that didn’t go vote. And that if we get those people to go vote, then all of our children end up living up in a more prosperous Louisiana, a more equitable Louisiana, a more diverse and inclusive Louisiana.

“And I think that that’s a Louisiana that gives all of our babies a future worth living,” he said. “I don’t want my daughter to leave Louisiana to live out her wildest dreams.”

In addition, as people leave states and cities like California, New York and Chicago and other Northeastern states, having Louisiana as a go-to option
Is a positive proposition — and is part of his platform.

“We have an opportunity to draw those people in, draw those jobs in, diversify the economy,” said Chambers. “But you’ve got to have a partner at the federal levels that says, ‘You know what, I want to go out and talk to people about what Louisiana really is and how we can bring people to the table.”

Chambers said a U.S. senator has a lot more power than some people may realize and he pointed out how Arizona Democratic Senator Krysten Sinema and West Virginia Democratic Senator Joe Manchin have stalled parts of Biden’s agenda.

“A U.S. senator has the ability to hold up a president’s agenda, or advance it,” he said. “When we talk about the things that are important to us, the John Lewis Voting Rights, making sure that everybody can have access to the ballot — if you’ve got a senator that would do the same thing that they would to to leverage their vote to ensure that that would pass, you’d get it. Right?

“Now they’re leveraging their vote for things that are not beneficial to us.”

Chambers is a supporter of Biden’s Build Back Better plan that was stymied by the Arizona and West Virginia senators, both Democrats.

“I thought Build Back Better was a great plan. Do I think that there needs to be more in it, be more inclusive? Yeah,” he said. “But I think that you don’t let perfect get in the way of good.

“There was enough in that bill that would’ve touched working class people,” said Chambers. “That child earned income tax credit where people were getting $300 a month per child, that was helping bring people out of childhood poverty. That was helping eradicate poverty.”

Chambers said as a result of building stronger families, “we build stronger communities and we solve some of these problems in these communities,” he said.

“Everybody wants to talk about violence and all of the crime that happens in all of our communities,” said Chambers. “All the folks who think we can put more police on the ground to solve the problems — we have had a wave of mass policing that has produced nothing but mass incarceration.”

“Let’s talk about jobs and opportunity,” he said. “When we create more jobs and opportunities for people, then they aren’t left with choices that allow them to be in an environment that creates the violence that we see.”

Dana Cooper reflects on ‘Facing the Truth,’ his latest, with a CD release event at NuNu’s Arts on Wednesday; Renée Reed opens

Dana Cooper

by Dominick Cross

ARNAUDVILLE, La. — Of course he was driving his car when we talked.

Dana Cooper, singer/songwriter, was heading to Arnaudville from Nashville for his 7:30 p.m., Wednesday, April 6, 2022, show at NuNu’s Arts & Culture Collective, 1510 Bayou Courtableau Hwy.

Local talent and singer/songwriter in her own right, Renée Reed, opens the program.

On site will be a culinary pop-up by Five Mile Café. Tickets are $20; door opens 5:30 p.m. Music at 7:30 p.m.

Cooper also has an interview/performance prior to his NuNu’s gig, noon, Wednesday, on KRVS 88.7 FM on Cecil Doyle’s Medicine Ball Caravan.

Cooper is touring behind the release of “I Can Face The Truth,” his latest of 29 recordings since he started his music career in 1973.

“I was kind of reflecting on that, you know, my life and my own faults and choices I’ve made in life and stuff,” said Cooper. “The funny thing is, is the chorus, ‘I can face the truth, but please not today.’ Human nature, you know, how we kind of put it all off ’til later.

“It’s not always easy to face up to all that stuff.”

Cooper started on the CD before the COVID pandemic, “but it took a couple of years to work on it because of COVID,” he said. “I started a few months before and then I went out on the road.

“I was out on the road on the West Coast when COVID really hit us full force,” said Cooper. “And I came home, and then we’re all isolated for seven, eight months and then we went back in occasionally, Dave Coleman and I, worked together with our masks on and built what we could out of it until we could actually safely get people in there again.

“It was just a process, it took a while.”

Cooper and co-producer and multi-instrumentalis, Dave Coleman, enlisted songwriters, singers, and musicians from the US and Ireland for the CD. Collaborators in the studio include Tom Kimmel, Kim Richey, Jonell Mosser, Maura O’Connell, Brother Paul Brown, David Starr, Rebecca Folsom, and Gillian Tuite.

Like many singer/songwriters, Cooper is put in the Americana category. And, like his brethren, well, it is what it is.

“They kind of lump me in in with Americana, you know, but I really feel like I,” he paused, then continued. “As a songwriter, I’ve always kind of written all over the place.

“So I write things that are bluesy and country and folk and rock and pop and just whatever I want because I like all kinds of music,” said Cooper. “So I try to incorporate it all in what I’m doing.

“But, yeah, it’s Americana what I’m doing right now.”

When a song comes to Cooper it could be anytime, anywhere.

“I never know when they’re going to come. They show up pretty much unexpectedly when they happen, the ideas I get,” Cooper said. “It’s changed over the years. Pretty much everyday I come up with some kind of a rhythmic idea or a melody or a lyric and I’ll jot it down or hum it in in my recorder.

“I collect these ideas and then every week or so I kind of go back over what I’ve been coming up with and see if there’s anything worth pursuing,” he said. “Sometimes, I will just get an idea and I’ll have time to sit down and actually just start working on it right in the moment.

“That’s become rare these days. I’m busy doing so much traveling and ad man work on a computer and all, I don’t have as much creative time available as I would like.”

penDana Cooper is touring behind the release of “I Can Face The Truth.” A CD release event is Wednesday, April 6, 2022 at NuNu’s Arts & Culture Collective in Arnaudville. Renée Reed opens the show.

So, yeah, portable recording technology comes in handy for Cooper.

“I’ll get a lot of ideas on the road when I’m driving and that’s when I’ll just hum them or sing them into my recorder,” said Cooper. “And after gigs a lot of times, I’ll sit around for a while and play the guitar, come up with some ideas that way, too.

“But they can come from the guitar, from a music idea; they can be a rhythm idea,” he said. “That’s where most of my things start, from one or the other of those. And then I’ll start working on lyrics.”

While some of Cooper’s songs can comment on social or political issues, they’re not in your face tunes.

For instance, take the title song of his latest ‘Face the Truth’ release.

“That’s kind of reflective of the times we’re in, when it’s hard to know what the hell the truth is these days,” said Cooper. “That’s kind of one of the underlying themes in that song, without it really getting political or anything.”

Other songs, “Summer in America” and “Walls” said Cooper, are some of the more “topical songs” on the release.

“So, yeah, I tend to write about the things that concern me and I try to do it in a way that is not confrontational or divisive with people,” he said. “I like to maybe make people just kind of reconsider, sometimes, maybe their viewpoint.

“I try not to shove anything down people’s throat,” Cooper said. “I’ve found you don’t really get much anywhere that way.”

Cooper is rather familiar with Cajun music.

“Like I said earlier, I love all kinds of music and Cajun music has always fascinated me. I’ve listened to quite a bit of it,” he said. “I’m not any kind of an expert on it, but I do love it.

“I’ve leaned on that a little bit with some of my songwriting,” he said. “I’ve got a few things that were inspired by Cajun music.”

One of those songs is “Acadian Angel,” he wrote with Shake Russell.

“I’ll probably be playing a couple of those in my show,” he said. “Like I said, I’m kind of all over the place.”

Despite the the splash MTV made a splash on the music scene, Cooper keeps the music video in its place when it comes to songwriting.

“Not when I’m writing something usually. I mean it might occur to me that something might look cool some way visually,” he said. “But that’s usually after I’ve written a song and then I’ll consider what to do with it visually.”

Cooper said while most of his music vids are selfie videos, he calls on friends to help with the others, including “Bluebird,” which is on “I Can Face The Truth.”

“I’ll go out there and put it together the best I can,” he said of the selfies. “But I’ve worked with some friends, too, in Nashville. In ‘Bluebird’ (with Tom Kimmel), it was like, ‘Hey, this would be great, obviously, to have some aerial footage.’

So Cooper contacted friends in Texas who do just that and the Lone Star countryside, shot from above, is in the music video.

“I asked if they would contribute some stuff and gave them some ideas of what I was looking for,” said Cooper. “So they sent me a whole lot of aerial footage that I had to comb through and cull from.”

Cooper rarely tours with a band.

“I’ve been doing the solo thing for a while and economically and logistically, it’s just easier,” he said. “But I do occasionally. I’ll be playing in Nashville, I’m doing a show in May with a band there, some of the people who played on the album with me.”

And while on tour in Texas, “I’ll do a pick-up band down there sometimes because I know a lot of people there,” he said. “But it’s pretty much a solo show.”

“I Can Face The Truth” is charting on five radio charts. It ranked- #8 FAI Folk Chart Album, #8 Folk Chart Artist for February. It debuted on NACC Folk Chart at #17. Also on Alternative Country, Roots Music & Americana Charts.

“All these shows I’m doing right now are being billed as CD release shows,” he said. “I’ll do the songs off the new record, plus a collection of songs from my other 29 records.”

“I’ve been doing a lot for a long time,” said Cooper. “Some of (albums) were with other folks. I’ve played with a couple other people over the years, we put out records together. They weren’t all solo projects, but most of them are.”

At long last, Festivals Acadiens et Creoles returns live and in-person under the great oaks of Girard Park

The late Courtney Granger will be honored Saturday, March 19, 2022, 1 p.m. on Scène Ma Louisiane.
DCross photo

By DOMINICK CROSS

LAFAYETTE — In this much needed pause between calamities — a waning pandemic and the possibility of WWIII — make the best of the opportunity to indulge in Festivals Acadiens et Creoles, this weekend (March 18-20, 2022) in Girard Park.

The springtime version of the festival that’s usually held in the fall marks the 48th running of the music, food, arts and crafts extravaganza celebrating the Cajun and Creole cultures. One doesn’t have to go back in history to recall that COVID-19 put a halt to life as we knew it this time of year in 2020, and the virus kept most of us off-balance through 2022.

Virtual festivals became the rule of thumb everywhere and got us by, like decaf coffee, until the real deal that’s about to go down in two days and upcoming months. So, bring on the caffeine, the great outdoors, dancing shoes and an appetite for food, fun and frolic in all of the usual ways. Almost.

“We’re celebrating finally getting back together again, live in the park,” said Barry Ancelet, president of the board of Festivals Acadiens et Creoles. “We want people to please be responsible. Let’s not get carried away, careless at this point to undo the good things that are happening.

“Hopefully, as many people as possible will be vaccinated and just be responsible in how we gather. If anybody feels sick or symptomatic of anything, really, not just COVID, but anything, you know, they’ll stay home.

“Let’s just be safe. Let’s be smart,” he said. “If you’re coughing or running a fever, stay home.”

Festivals Acadiens et Creoles will again return to its normal time in October — yep, we’re getting a two-for-one this year — sans hurricane, pandemic or another world war.

Ancelet said that the original event that became this festival was held in the spring in Blackham Coliseum. But there are no plans to return to this time of year on a regular basis.

“We’re going to have the festival in October,” Ancelet said. “This spring festival is to make up for the one we didn’t have last October. In October, we’re still dealing with hurricane season, but I think it’s become our home, become our time.”

While bad weather may be an issue, it should take place when we’re all tucked away for the night. As of Wednesday, there’s “the chance for some severe weather as the front moves through, which is expected to be in the early morning hours of Friday,” according to KATC Weather, noting that the weekend outlook is good.

Music to your ears

The festivals’ line-up includes the usual Grammy-noms and Grammy winners, standard bearers of years past, envelope pushers of the present, and new bands with familiar names.

There is a tribute to the late Courtney Granger, Saturday, March 19, 2022, 1 p.m., on Scène Ma Louisiane. Granger, who left us way too soon at 39 in September 2021 , played Cajun fiddle and Cajun sang with The Pine Leaf Boys and Balfa Toujours. He sat in with everybody and would make the hair on your neck stand up knocking off a country crooner classic. Granger released Beneath Still Waters in 2016 and if you order it now, you should have it in your collection by next week.

Over the weekend, there’s the golden opportunity to listen and dance to Sheryl Cormier & Cajun Sound, Chubby Carrier & the Bayou Swamp Band, Steve Riley & the Mamou Playboys, Wayne Singleton & Same Ol’ 2 Step, Roddie Romero and the Hub City All-Stars, Geno Delafose & French Rockin’ Boogie, Bonsoir, Catin, Curley Taylor & Zydeco Trouble, Balfa Toujours, Joe Hall and the Louisiana Cane Cutters, Feufollet, Savoy Family Band, Cedrick Watson & Bijou Creole, Riley Family Band, The Potluck Band, Jesse Lege, Lil’ Nathan & the Zydeco Big Timers, Jourdan Thibodeaux et les Rodailleurs, Wayne Toups & ZydeCajun.

MUSIC SCHEDULE HERE

Chris Ardoin and NuStep Zydeco, opening night, Friday, March 18. DCross photo

The Bayou Food Festival will give you a taste of the Cajun and Creole cultures, and the Louisiana Crafts Fair artists and craftspeople will have their wares to marvel over and purchase.

Looking ahead

Ancelet said the board will meet in early April to plan the fall festival, in which the week of will coincide with an ethnomusicology conference in Lafayette.

“We’ve got some interesting plans for the next one,” he said. “None of this is in stone, but what we’re discussing right now is celebrating Louisiana as an international Francophone crossroads, examining the connections Louisiana has to the rest of the French speaking world.

“Part of that is going along with the likelihood that we’re going to have a major, international Francophone Ethnomusicology Conference in Lafayette the week of the festival in October,” Ancelet said, adding, “all of this is in the planning stages, but this is what we’re shooting for.”

Look for scholars and performers from the Francophone areas “that we’re examining to see the connections,” said Ancelet. “Not only to ponder them, but hear them.”

Joshua Clegg Caffery, director of the Center for Louisiana Studies at University of Louisiana-Lafayette, and Ancelet have been is discussion with Roger Mason, musician/ethnomusicologist who worked with Claudie Marcel-Dubois, the French ethnomusicologist about the conference.

A similar ethnomusicology conference was held over Zoom last year.

Who knew?

As it happened, Mason had a major impact on Ancelet’s life during his collegiate years, and, as it so happens, anyone who has ever enjoyed Festival Acadiens et Creoles.

Mason came to Louisiana in the early 1970s “and met with and learned from and recorded with the Balfa Brothers, Nathan Abshire, the Ardoins — a lot of the founding members of that generation — so he’s very well connected and a long-time, not only fan of, but very knowledgable of Cajun music and zydeco.”

While in Nice, France, when Ancelet was on his academic year abroad in 1972-73, Mason was playing “Crowley Two-Step” in a coffee shop, “And it changed my life,” said Ancelet.

Ancelet introduced himself and said he was from Louisiana and that the song eased his homesickness.

“And he said, ‘You must know all of the people I learned from, Dewey Balfa, Nathan Abshire…,’ and I said, ‘I don’t know any of those people, but I need to know who they are.’”

Roddie Romero & the Hub City All Stars, Saturday, 3:45 pm, Scène Ma Louisiane. DCross photo

Mason told Ancelet that when he gets back home, go to Basile, get directions to Dewey Balfa’s house and introduce himself. So, in the summer of 1973, he knocked on Balfa’s door.

“I said, ‘Are you Dewey Balfa?’ And he said, ‘Yeah, I am.’ I said, ‘I’m Barry Ancelet and I’m from here and I was in France and I met Roger Mason,” recalled Ancelet, who said in his nervousness, his response got faster and faster before Balfa urged him to slow down and invited him inside.

“I went in and that’s how I got involved in all of this,” Ancelet said. “And it was in part due to Roger Mason.”

And nearly 50 years later, here we all are.

Drew Landry and quite the cast at Blue Moon Tuesday night

Drew Landry will be joined by a host of musicians, Tuesday (Nov. 23) at the Blue Moon

By Dominick Cross

LAFAYETTE, LA — It’ll be an interesting evening at the Blue Moon come Tuesday, November 23, 2021, when Drew Landry returns home for “A Rinky-Dink Reunion Show” at the Blue Moon.

A native of Scott, Louisiana, the singer/songwriter has lived in Montana since 2016. In addition to the gig, he’s wrapping up work on a recording, and, of course, checking in with friends and family.

“I’m just going home to have a good time with some old friends; whether it’s the cats I served in the National Guard with, or folks that hung out at the bars around the year 2000,” Landry said. “It’s really about kind of a little dysfunctional family reunion.”

A Rinky-Dink Reunion Show, 7:30 pm
The Blue Moon Saloon
215 E. Convent St.
Lafayette, La
337.234.2422

Actually, there’s way more to it than that, especially regarding the Blue Moon gig where Landry “Invited a bunch of songwriters that we used to play together” from his Rinky-Dink days, a bar he owned. And that would be Steve Judice, Blake Simon, Chris Breaux, Jason Harrington, Matt Breaux & Jake Stephens.

The Songwriter Showcase opens the three-prong event at 7:30 p.m.

It’s not too often your mom opens for you (except in South Louisiana, that is), as Becca & the Band Ades follows. Becca Begnaud is Landry’s mother. Prong II.

Landry said he “then threw a band together that’s willing to wing-out some of my new songs and I’d love to see what people think about them,” he said.

And it’s a pick-up band anyone would like to have as it includes Lee Allen Zeno, Clint Redwing, Eric Adcock, Ken Veron, Jason Meaux & Blake Simon. Prong III.

“We’ll do a set of some of the new songs and some of the old stuff,” he said. “It’s just about getting back to Lafayette, seeing who’s still around and playing some music for some good folks I haven’t seen for a while.”

While Landry has gigs here and there in Montana, his day job is an Extension Agent with the USDA to work with the Blackfeet Nation. He is a dad and also acting director of Montana Missing Indigenous Persons reporting portal, MMIPMT.com.

Landry lives on the east side of Glacier National Park these days.

“The summers are great, the winters are pretty tough and being a dad is awesome,” he said. “But at the same time, I’ve got a couple of records in the bag and I’m getting them mixed and mastered. I’m excited about getting back to playing music.”

In addition to Tuesday’s gig at the Blue Moon, Landry will also head to Dockside Studios to complete an album.

“We’ve got one done at Dockside and another one I recorded in Nashville and I’m excited about getting those songs out there,” said Landry.

On the release is a song about missing Native American women.

“We’re going to put out a video for that one,” he said. “We got a grant from the Department of Justice here, we closed it out in June. We built a reporting portal and a data base (www.MMIPMT.com) and now we’re getting the tribes in Montana – all the Tribal Nations on board – which we’re working on getting by December 15.

“And then early next year, we’re going to start promoting this way of reporting cases and I think it’s going to make a difference, hopefully saving a few lives.”

Levon Helm’s “Hurricane” is covered by Landry (and others) for a film he’s working on to address Hurricane Ida.

“I was working on recording that song for a soundtrack for a film I’ve been working on called, ‘Restoration.’ When the storm hit, I was like, ‘Let’s see if we can raise a few bucks for this nonprofit,’ so we put it out there. I think we got about $500 raised, so I’m going to give that lady her money back in Louisiana for the song.

“At least people paid for a song,” he quipped. “That’s a change.”

Landry is referring to Tracy Coonz and her GO FISH (Gulf Organized Fisheries in Solidarity and Hope), a 501(c)3 non-profit coalition of grassroots organizations from across the Gulf Coast that banded together after the Deepwater Horizon Oil Spill to advocate for the rights of fishing families, protect and restore the fisheries, fisheries habitat, and fishing community culture.

“Those are the same folks that live south of New Orleans, you know, the levees — it’s great they held up for New Orleans,” he said. “But it’s almost more detrimental to folks that had a boats in the water below New Orleans.”

At Dockside, Landry is working on a release addressing such issues.

“During and after the oil spill, we recorded with Dr. John,” said Landry. “Bobby Charles has always been one of my heroes and so we kind of revived the idea of doing this environmental album. We put out this EP on it, but I think a feature-length album that also could be part of a curriculum where we could work on sustainability, that’s the deal. That’s what we need to do.”

Looks good on paper, “Unfortunately, you can’t do anything without it being a political deal, whether it’s COVID or hurricanes or oil spills,” he said. “It seems like people have to take a side on every freakin’ thing. You just can’t be logical.”

Landry’s output includes the CDs “Keep What’s Left,” “Tailgaten Relief & Hurricane Companion,” and “Share-Cropper’s Whine.” His “BP Blues” charity single routed money to folks who needed help with health issues on the coast following the disastrous oil spill in 2010.

With his Lafayette gig just hours away, Landry cannot recall his last show in his hometown.

“I honestly do not remember,” he said “I really don’t.”

The mask task: Say it, don’t spray it! PSA on the way to encourage the wearing of a mask in public during pandemic

by Dominick Cross

The coronavirus/COVID-19 pandemic has a friend in people.

People, that is, who do not wear a mask or social distance in public.

It’s anybody’s guess why some of our fellow humans refuse to mask-up. It could be political, it could be religious, it could be they are uninformed, or, misinformed.

Whatever the reason, as of Monday, July 6, 2020, Louisiana had 66,327 of its residents test positive for the virus. Of that number, 3,188 people have died.

While we wait on a vaccine, a miracle, or possibly an astroid to render this all moot, there is something the average person can do to help quell the spread and keep themselves, their loved ones, and, yes, even other people’s loved ones, above ground.

Wear a mask. Properly. And social distance, of course. But today, let’s take a closer look at the mask issue.

Enter the Acadiana Planning Commission (APC) and the Acadiana Open Channel (AOC). Downtown Development Association and One Acadiana are also on board.

The two public entities, APC and AOC, are working on a Public Service Announcement to encourage donning a mask, especially after the increase in infections in the state and Lafayette in particular.

“What was happening was there was a surge with young people,” said Monique Boulet, chief executive officer, LA Planning District 4. “The numbers are higher than they have been to date since the beginning of this thing.

“So there’s really a great concern that people don’t understand the simplicity of wearing a mask and actually trying stop this thing or slow it down,” she said.

Considering the target market of young people, APC re-upped some schoolyard snark, “Say it, don’t spray it,” that may ring a bell as a PSA slogan.

“When somebody says that to you, you don’t realize you’re spraying them,” said Boulet. “And that’s the whole point, right? to stop the spray out of your mouth from traveling to somebody else.”

Other potential encouraging words include Mask Up, Acadia! We wear because we care! Take masks to heart and do your part!

“And so message is really toward the young people,” Boulet said. That would be the 30 and under crowd.

The idea is to have people, like local musicians, football coaches and other residents record a video of themselves encouraging the wearing of masks.

Tips and other suggestions are in the graphic above. When finished, electronically submit your vid to https://www.aocinc.org/submit

“Chubby Carrier did a video. We’re going to go on-site with AOC to catch some of the football coaches at UL (University of Louisiana at Lafayette),” said Katrena King, Regional Planner II, Community Development Specialist. “And I was in touch with the Michots of Lost Bayou Ramblers and the Michot’s Melody Makers and they seem to be excited about the project and are hopefully going to send us something as well.

Ryan Cazares, optometrist at Scott Eye Care, musician, and who spearheaded Musical Instrument Library, sent in a video showing “how easy it is to wear a mask, and he put on a mask,” King said. “Just a personal spin on their own tagline but knowing what our campaign is about: masking up.

“We’re just trying to reach out to whoever might bite back,” she said. “The more lines out, hopefully, we’ll get a few responses. Basically, as many videos we get we can create PSAs.”

The business community needs to get involved, too.

“The businesses should really be standing up in front of everybody and saying, ‘We want to stay open. Please wear a mask,’” Boulet said. “Because if we close again, it’s going to be because things are out of control again and how do you stay open.”

AOC will do the tech work involved with the project. Most people involved will use their smart phone to video their message, but AOC will go to a location if that’s not an option.

Once in AOC’s hands, the plan is to get the 30-second finished product out on social media and even television.

“If they wanted to just slice the audio off, (AOC) could also make radio spots,” said Boulet.

The APC’s involvement in the PSA, in part, can be found in its mission statement: “The APC serves the public sector with planning and implementation of Community, Economic, and Transportation Development throughout the Acadiana region.”

In addition, the APC board is made up of seven Acadiana parish presidents, so when the pandemic hit, it was the go to body to do some outreach.

“We work very closely with all of the parishes,” said Boulet. That means things like transportation, broadband and watershed (which includes 16 parishes, FYI). “So, when this COVID thing started, we started the calls fairly early on. Maybe it was at some point in March.”

APC invited area mayors, the Louisiana’s Department of Health, the governor’s office, the offices of Louisiana’s senators to get involved in the discussions about the pandemic on conference calls.

“We’ve had Butch Browning (Louisiana State Fire Marshal) on to talk about when the capacity started becoming limited, what the implications of that was for different restaurants,” said Boulet. “A lot of these mayors, especially from the small towns, they’re the voice, right? but they really needed more information than we were getting from the press conferences.

“The calls have continued,” she said. “We didn’t anticipate they would last this long, but they have continued.”

A recent call, “was a very intense conversation about the reality of what’s happening,” Boulet said. “So, we had Tina Stefanski (Region 4 Office of Public Health Medical Director), on all of the calls.”

Depending on the evolving pandemic situation, different experts sit in on the calls and share advice.

“It’s just a support call,” said Boulet. “But it brings real information to them and allows them to ask questions in and around the information that’s been made public.”

Conversations include questions about the pandemic and related fallout, such as evictions, utility bills, etc.

As it happened, the idea for the PSA came from such a phone call.

“We are kind of the facilitator for regional issues, areas of concern that they share, which is a lot,” said Boulet. “Many of them have the same issues and concerns and questions in many different areas.

“That’s our function to pull that all together and really try to solve the problem together where we can,” she said.