Do the math: Spectacular music + cook and/or taste a gumbo + shake a leg + camp + jam amongst tents + pass a good time = Blackpot Festival

Music and dancing go hand in hand at Blackpot Festival & Cookoff.

Dominick Cross, story/photos

LAFAYETTE, LA — We’re knee deep in fall in South Louisiana.

Halloween is less than a week away. The New Orleans Saints are in action (such as it is), and the Blackpot Festival & Cook-Off is back in full form, Friday and Saturday (October 28-29, 2022) at Vermilionville, 300 Fisher Road.

If you’re counting, which includes not counting the COVID years of 2020-2021, Blackpot is in its 16th year of presenting an eclectic collection of music and musicians not commonly heard in these parts.

Yes, there’ll be Cajun and zydeco and la la, as well as Old Time, blues, string band, Western swing, bluegrass, singer/songwriter, Tex-Mex, ragtime, country — music you can enjoy even if the power grid goes down.

And, yes, again, the square dance session is in its usual Saturday morning slot at 11 a.m. with The Faux Paws with Nancy Spero calling.

Then there’s the camping.

Where there’s grass, there are tents…

Coupled with a wide-ranging line-up, the option to camp on festival grounds and partake in or simply enjoy pop-up jams (day & night and the wee hours), also sets BlackPot Festival & Cook-Off apart from other festivals in the area.

…and where there are tents, jam sessions break out all over the Blackpot campground all day and all night.

Another divergent particular at Blackpot is the costume contest set for 10 p.m. Saturday night at the Main Stage, between Los Texmaniacs and The Revelers. And why not? After all, Halloween is just two days away.

Blackpot Camp

In the meantime, Blackpot Camp is underway at Lakeview Park & Beach, 1717 Veterans Memorial Hwy., Eunice. There are musical instrument and music style classes underway through Thursday, covering Cajun fiddle, guitar and accordion; Western Swing, Old Time, harmony vocals, rhythm, drums, and dance.

The nightly dances, open to the public, have two bands and begin at 8 p.m. and so far have featured Joe Hall & the Cane Cutters, Blackpot All-Stars, Chas Justus & the Jury, The Revelers, a Square Dance and the 99 Playboys.

Coming Wednesday, it’s Bruce Daigrepont, the Honky Tonk All-Stars; and Thursday, it’s Preston Frank, followed by Cajun music.

Blackpot Fest

The Blackpot Festival itself gets started 6 Friday evening with, well, options across three stages. The Fraulines open the Main Stage; a Cajun jam with the Daiquiri Queens takes place at the Chapel Stage; and Renée Reed performs at the Schoolhouse Stage.

The Pine Leaf Boys close out Day 1 of Blackpot and before that goes down, you can also hear K.C. Jones, Roochie Toochie and the Ragtime Shepherd Kings, Jackson & the Janks, John R. Miller & Chloe Edmonstone & J.P. Harris, and The Shabbys.

Come Saturday, Jesse Lege starts the day-long music extravaganza with a Cajun jam at 10 a.m. Square dancing begins an hour later and then an hour after that, all music breaks loose.

Square dancing – complete with instruction and plenty of beginners – gets the juices flowing at 11 a.m. Saturday.

The impressive lineup includes: Sheryl Cormier, Cedric Watson et Bijou Creole, The Daiquiri Queens, Preston Frank and Ed Poullard, The Murphy Beds, The Georgia Parker Trio, Amis du Teche, Forest Huval, Diamond J. & the Ruby Red Raindrops, Travis Stuart, Libby and the Loveless, Epi & Friends, Ferd, The Hushabyes, Golden Shoals.

See Saturday’s extensive schedule here.

One of the many bands on the schedule is Lafayette’s Major Handy who will hit the Chapel Stage, Saturday, 6-7 p.m. While only Handy’s name is listed, do know the set will include his band, Major Handy & the Louisiana Blues Band.

“We’re going to have the whole band,” said Handy.

Major Handy and friend. Robin May photo

The band consists of Carmen Jacob, drums; Ramsey Robinson, guitar; Lincoln Landry, bass/vocals; and Handy, accordion/vocals.

And if you’re wondering what you’ll hear, well, here ya go:

“I’m going to be doing Major Handy, bro,” Handy chuckled. “You know, rhythm & blues and jazz and, I don’t know, maybe there’ll be zydeco.”

Handy’s set list includes Just My Imagination (The Temptations); Last Two Dollars (Johnnie Taylor); It’s Alright (Curtis Mayfield) Turning Point (Tyrone Davis); I’ll Take You There (The Staple Singers) and I’m On A Wonder (Clifton Chenier).

You can also expect a few of Handy’s tunes with Come On Home, Zydeco Feeling and Trailside.

Handy, steadily gigging after the pandemic, is also recovering rather well from a stroke in January 2020. Handy said he’s doing “Pretty good. I just got a little limp that aggravates me every now and then,” he said. “But, you know what? It’s leaving.

“It’s all but over,” continued Handy. “It’s not that bad. Every time I go to therapy, I come back a little bit better and stronger.”

COOK-OFF

While there will be food and beverages about, one would be remiss not to mention the Cook-Off. It is an integral part of the festival. Heck, it’s in the event’s name: Blackpot Festival & Cook-Off.

John Vidrine check on his chance at a prize while onlookers check on John Vidrine.

The cook-off takes place Saturday afternoon. Folks can visit each chef’s outdoor kitchen and sample their creations.

Anyone can enter from amateur to professional for a chance at prizes and bragging rights. Categories include Gravy, Gumbo, Cracklins, Jambalaya, dessert.

Entry fees are $75 for individuals; Civic organizations, $100; and Business, $125. Go here for more info.

BLACKPOT TICKET INFO
Weekend pass includes camping, $70; Friday night, 6 p.m.-midnight (no camping), $30; Saturday noon-midnight (no camping) $40.

At long last, Festivals Acadiens et Creoles returns live and in-person under the great oaks of Girard Park

The late Courtney Granger will be honored Saturday, March 19, 2022, 1 p.m. on Scène Ma Louisiane.
DCross photo

By DOMINICK CROSS

LAFAYETTE — In this much needed pause between calamities — a waning pandemic and the possibility of WWIII — make the best of the opportunity to indulge in Festivals Acadiens et Creoles, this weekend (March 18-20, 2022) in Girard Park.

The springtime version of the festival that’s usually held in the fall marks the 48th running of the music, food, arts and crafts extravaganza celebrating the Cajun and Creole cultures. One doesn’t have to go back in history to recall that COVID-19 put a halt to life as we knew it this time of year in 2020, and the virus kept most of us off-balance through 2022.

Virtual festivals became the rule of thumb everywhere and got us by, like decaf coffee, until the real deal that’s about to go down in two days and upcoming months. So, bring on the caffeine, the great outdoors, dancing shoes and an appetite for food, fun and frolic in all of the usual ways. Almost.

“We’re celebrating finally getting back together again, live in the park,” said Barry Ancelet, president of the board of Festivals Acadiens et Creoles. “We want people to please be responsible. Let’s not get carried away, careless at this point to undo the good things that are happening.

“Hopefully, as many people as possible will be vaccinated and just be responsible in how we gather. If anybody feels sick or symptomatic of anything, really, not just COVID, but anything, you know, they’ll stay home.

“Let’s just be safe. Let’s be smart,” he said. “If you’re coughing or running a fever, stay home.”

Festivals Acadiens et Creoles will again return to its normal time in October — yep, we’re getting a two-for-one this year — sans hurricane, pandemic or another world war.

Ancelet said that the original event that became this festival was held in the spring in Blackham Coliseum. But there are no plans to return to this time of year on a regular basis.

“We’re going to have the festival in October,” Ancelet said. “This spring festival is to make up for the one we didn’t have last October. In October, we’re still dealing with hurricane season, but I think it’s become our home, become our time.”

While bad weather may be an issue, it should take place when we’re all tucked away for the night. As of Wednesday, there’s “the chance for some severe weather as the front moves through, which is expected to be in the early morning hours of Friday,” according to KATC Weather, noting that the weekend outlook is good.

Music to your ears

The festivals’ line-up includes the usual Grammy-noms and Grammy winners, standard bearers of years past, envelope pushers of the present, and new bands with familiar names.

There is a tribute to the late Courtney Granger, Saturday, March 19, 2022, 1 p.m., on Scène Ma Louisiane. Granger, who left us way too soon at 39 in September 2021 , played Cajun fiddle and Cajun sang with The Pine Leaf Boys and Balfa Toujours. He sat in with everybody and would make the hair on your neck stand up knocking off a country crooner classic. Granger released Beneath Still Waters in 2016 and if you order it now, you should have it in your collection by next week.

Over the weekend, there’s the golden opportunity to listen and dance to Sheryl Cormier & Cajun Sound, Chubby Carrier & the Bayou Swamp Band, Steve Riley & the Mamou Playboys, Wayne Singleton & Same Ol’ 2 Step, Roddie Romero and the Hub City All-Stars, Geno Delafose & French Rockin’ Boogie, Bonsoir, Catin, Curley Taylor & Zydeco Trouble, Balfa Toujours, Joe Hall and the Louisiana Cane Cutters, Feufollet, Savoy Family Band, Cedrick Watson & Bijou Creole, Riley Family Band, The Potluck Band, Jesse Lege, Lil’ Nathan & the Zydeco Big Timers, Jourdan Thibodeaux et les Rodailleurs, Wayne Toups & ZydeCajun.

MUSIC SCHEDULE HERE

Chris Ardoin and NuStep Zydeco, opening night, Friday, March 18. DCross photo

The Bayou Food Festival will give you a taste of the Cajun and Creole cultures, and the Louisiana Crafts Fair artists and craftspeople will have their wares to marvel over and purchase.

Looking ahead

Ancelet said the board will meet in early April to plan the fall festival, in which the week of will coincide with an ethnomusicology conference in Lafayette.

“We’ve got some interesting plans for the next one,” he said. “None of this is in stone, but what we’re discussing right now is celebrating Louisiana as an international Francophone crossroads, examining the connections Louisiana has to the rest of the French speaking world.

“Part of that is going along with the likelihood that we’re going to have a major, international Francophone Ethnomusicology Conference in Lafayette the week of the festival in October,” Ancelet said, adding, “all of this is in the planning stages, but this is what we’re shooting for.”

Look for scholars and performers from the Francophone areas “that we’re examining to see the connections,” said Ancelet. “Not only to ponder them, but hear them.”

Joshua Clegg Caffery, director of the Center for Louisiana Studies at University of Louisiana-Lafayette, and Ancelet have been is discussion with Roger Mason, musician/ethnomusicologist who worked with Claudie Marcel-Dubois, the French ethnomusicologist about the conference.

A similar ethnomusicology conference was held over Zoom last year.

Who knew?

As it happened, Mason had a major impact on Ancelet’s life during his collegiate years, and, as it so happens, anyone who has ever enjoyed Festival Acadiens et Creoles.

Mason came to Louisiana in the early 1970s “and met with and learned from and recorded with the Balfa Brothers, Nathan Abshire, the Ardoins — a lot of the founding members of that generation — so he’s very well connected and a long-time, not only fan of, but very knowledgable of Cajun music and zydeco.”

While in Nice, France, when Ancelet was on his academic year abroad in 1972-73, Mason was playing “Crowley Two-Step” in a coffee shop, “And it changed my life,” said Ancelet.

Ancelet introduced himself and said he was from Louisiana and that the song eased his homesickness.

“And he said, ‘You must know all of the people I learned from, Dewey Balfa, Nathan Abshire…,’ and I said, ‘I don’t know any of those people, but I need to know who they are.’”

Roddie Romero & the Hub City All Stars, Saturday, 3:45 pm, Scène Ma Louisiane. DCross photo

Mason told Ancelet that when he gets back home, go to Basile, get directions to Dewey Balfa’s house and introduce himself. So, in the summer of 1973, he knocked on Balfa’s door.

“I said, ‘Are you Dewey Balfa?’ And he said, ‘Yeah, I am.’ I said, ‘I’m Barry Ancelet and I’m from here and I was in France and I met Roger Mason,” recalled Ancelet, who said in his nervousness, his response got faster and faster before Balfa urged him to slow down and invited him inside.

“I went in and that’s how I got involved in all of this,” Ancelet said. “And it was in part due to Roger Mason.”

And nearly 50 years later, here we all are.