Dana Cooper reflects on ‘Facing the Truth,’ his latest, with a CD release event at NuNu’s Arts on Wednesday; Renée Reed opens

Dana Cooper

by Dominick Cross

ARNAUDVILLE, La. — Of course he was driving his car when we talked.

Dana Cooper, singer/songwriter, was heading to Arnaudville from Nashville for his 7:30 p.m., Wednesday, April 6, 2022, show at NuNu’s Arts & Culture Collective, 1510 Bayou Courtableau Hwy.

Local talent and singer/songwriter in her own right, Renée Reed, opens the program.

On site will be a culinary pop-up by Five Mile Café. Tickets are $20; door opens 5:30 p.m. Music at 7:30 p.m.

Cooper also has an interview/performance prior to his NuNu’s gig, noon, Wednesday, on KRVS 88.7 FM on Cecil Doyle’s Medicine Ball Caravan.

Cooper is touring behind the release of “I Can Face The Truth,” his latest of 29 recordings since he started his music career in 1973.

“I was kind of reflecting on that, you know, my life and my own faults and choices I’ve made in life and stuff,” said Cooper. “The funny thing is, is the chorus, ‘I can face the truth, but please not today.’ Human nature, you know, how we kind of put it all off ’til later.

“It’s not always easy to face up to all that stuff.”

Cooper started on the CD before the COVID pandemic, “but it took a couple of years to work on it because of COVID,” he said. “I started a few months before and then I went out on the road.

“I was out on the road on the West Coast when COVID really hit us full force,” said Cooper. “And I came home, and then we’re all isolated for seven, eight months and then we went back in occasionally, Dave Coleman and I, worked together with our masks on and built what we could out of it until we could actually safely get people in there again.

“It was just a process, it took a while.”

Cooper and co-producer and multi-instrumentalis, Dave Coleman, enlisted songwriters, singers, and musicians from the US and Ireland for the CD. Collaborators in the studio include Tom Kimmel, Kim Richey, Jonell Mosser, Maura O’Connell, Brother Paul Brown, David Starr, Rebecca Folsom, and Gillian Tuite.

Like many singer/songwriters, Cooper is put in the Americana category. And, like his brethren, well, it is what it is.

“They kind of lump me in in with Americana, you know, but I really feel like I,” he paused, then continued. “As a songwriter, I’ve always kind of written all over the place.

“So I write things that are bluesy and country and folk and rock and pop and just whatever I want because I like all kinds of music,” said Cooper. “So I try to incorporate it all in what I’m doing.

“But, yeah, it’s Americana what I’m doing right now.”

When a song comes to Cooper it could be anytime, anywhere.

“I never know when they’re going to come. They show up pretty much unexpectedly when they happen, the ideas I get,” Cooper said. “It’s changed over the years. Pretty much everyday I come up with some kind of a rhythmic idea or a melody or a lyric and I’ll jot it down or hum it in in my recorder.

“I collect these ideas and then every week or so I kind of go back over what I’ve been coming up with and see if there’s anything worth pursuing,” he said. “Sometimes, I will just get an idea and I’ll have time to sit down and actually just start working on it right in the moment.

“That’s become rare these days. I’m busy doing so much traveling and ad man work on a computer and all, I don’t have as much creative time available as I would like.”

penDana Cooper is touring behind the release of “I Can Face The Truth.” A CD release event is Wednesday, April 6, 2022 at NuNu’s Arts & Culture Collective in Arnaudville. Renée Reed opens the show.

So, yeah, portable recording technology comes in handy for Cooper.

“I’ll get a lot of ideas on the road when I’m driving and that’s when I’ll just hum them or sing them into my recorder,” said Cooper. “And after gigs a lot of times, I’ll sit around for a while and play the guitar, come up with some ideas that way, too.

“But they can come from the guitar, from a music idea; they can be a rhythm idea,” he said. “That’s where most of my things start, from one or the other of those. And then I’ll start working on lyrics.”

While some of Cooper’s songs can comment on social or political issues, they’re not in your face tunes.

For instance, take the title song of his latest ‘Face the Truth’ release.

“That’s kind of reflective of the times we’re in, when it’s hard to know what the hell the truth is these days,” said Cooper. “That’s kind of one of the underlying themes in that song, without it really getting political or anything.”

Other songs, “Summer in America” and “Walls” said Cooper, are some of the more “topical songs” on the release.

“So, yeah, I tend to write about the things that concern me and I try to do it in a way that is not confrontational or divisive with people,” he said. “I like to maybe make people just kind of reconsider, sometimes, maybe their viewpoint.

“I try not to shove anything down people’s throat,” Cooper said. “I’ve found you don’t really get much anywhere that way.”

Cooper is rather familiar with Cajun music.

“Like I said earlier, I love all kinds of music and Cajun music has always fascinated me. I’ve listened to quite a bit of it,” he said. “I’m not any kind of an expert on it, but I do love it.

“I’ve leaned on that a little bit with some of my songwriting,” he said. “I’ve got a few things that were inspired by Cajun music.”

One of those songs is “Acadian Angel,” he wrote with Shake Russell.

“I’ll probably be playing a couple of those in my show,” he said. “Like I said, I’m kind of all over the place.”

Despite the the splash MTV made a splash on the music scene, Cooper keeps the music video in its place when it comes to songwriting.

“Not when I’m writing something usually. I mean it might occur to me that something might look cool some way visually,” he said. “But that’s usually after I’ve written a song and then I’ll consider what to do with it visually.”

Cooper said while most of his music vids are selfie videos, he calls on friends to help with the others, including “Bluebird,” which is on “I Can Face The Truth.”

“I’ll go out there and put it together the best I can,” he said of the selfies. “But I’ve worked with some friends, too, in Nashville. In ‘Bluebird’ (with Tom Kimmel), it was like, ‘Hey, this would be great, obviously, to have some aerial footage.’

So Cooper contacted friends in Texas who do just that and the Lone Star countryside, shot from above, is in the music video.

“I asked if they would contribute some stuff and gave them some ideas of what I was looking for,” said Cooper. “So they sent me a whole lot of aerial footage that I had to comb through and cull from.”

Cooper rarely tours with a band.

“I’ve been doing the solo thing for a while and economically and logistically, it’s just easier,” he said. “But I do occasionally. I’ll be playing in Nashville, I’m doing a show in May with a band there, some of the people who played on the album with me.”

And while on tour in Texas, “I’ll do a pick-up band down there sometimes because I know a lot of people there,” he said. “But it’s pretty much a solo show.”

“I Can Face The Truth” is charting on five radio charts. It ranked- #8 FAI Folk Chart Album, #8 Folk Chart Artist for February. It debuted on NACC Folk Chart at #17. Also on Alternative Country, Roots Music & Americana Charts.

“All these shows I’m doing right now are being billed as CD release shows,” he said. “I’ll do the songs off the new record, plus a collection of songs from my other 29 records.”

“I’ve been doing a lot for a long time,” said Cooper. “Some of (albums) were with other folks. I’ve played with a couple other people over the years, we put out records together. They weren’t all solo projects, but most of them are.”

A look at the ingredients of Neustrom’s ‘Jambalaya’ urged on by the pandemic with a side of her Swedish culture

Emily Neustrom brings her record release party to the Blue Moon Saloon, Saturday, April 2, 2022. submitted artwork

by Dominick Cross

LAFAYETTE, LA — The pandemic gets a lot of blame for a lot of things and nearly all of it deservedly negative.

There’s probably not another side to this COVID coin, you know, where some good would ordinarily be found, so perhaps one should zoom in along its edge.

And it’s here, during the past two years of downtime, that some people examined their lives, or looked at their own mortality, or even pursued a long-sought goal.

Emily Neustrom, a Lafayette native living in New Orleans, is all of those people.

“I’ve been dreaming of making a record for 20 years,” said Neustrom. “I think the pandemic made us all question our lives and death and what do we want to do and what haven’t we done.”

This thought pattern resulted in Neustrom’s debut CD, “No More Jambalaya,” a solo effort and genre-bending recording that’ll make its Lafayette debut Saturday, April 2, 2022, at the Blue Moon Saloon, 215 E. Convent St.

“And so, for me,” Neustrom said. “This was the biggest thing I wanted to make sure I did before I died.”

The lively program gets underway at 7:30 p.m., and features, in order of appearance: Band Practice, Yates Webb, Neustrom and Pinecone Brothers.

Neustrom’s all-original release does not neatly fit into any particular music category.

“It doesn’t matter to me, but apparently the Internet wants you to define it,” said Neustrom, addressing the issue as only she can. “I did put non-binary country. But I don’t even consider myself country. Maybe non-binary Americana. I don’t know.

“Sometimes I describe myself as singer/songwriter, sometimes it’s like country/folk, or just straight up folk,” she said. “Some of songs, to me, feel more like indie pop.

“So, it’s kind of a combo,” said Neustrom. “If Americana is a catch-all, then that’s fine.”

No matter the style of music, the subject matter of the songs will be familiar.

“I would say they range from death to dancing to love, or ex-boyfriends or something,” Neustrom said. “The name of the album is ‘No More Jambalaya,’ a feminist rant, or just a song for the ladies.”

‘When you share your own story, whether it’s heartbreak or joy, I feel like that’s what people connect to. It’s stories that are true to me.’

Emily Neustrom

While the pandemic may have spurred Neustrom to take care of business and get the recording out, she also got a nudge from her Swedish heritage.

Neustrom said the release of the album is a part of the “Swedish Death Cleaning of my soul,” she said.

“Swedish Death Cleaning is you live and keep your house and your things with death in mind,” said Neustrom. “So, imagining someone is going to come into your house after you die and have to deal with all of your shit. So it would be better if you just deal with your shit before you die.

“That’s what I’m trying to do on a soul level,” she said.

And the outcome?

“I feel amazing. It’s so liberating. It’s so scary, but it’s so liberating,” Neustrom said. “For me, it was like a weight on my heart and mind not having put my songs on an album to share with people publicly. So, this debut record is accomplishing my goal of sharing myself.”

While she shares herself through her songs, they story they tell should be familiar to everyone.

“When you share your own story, whether it’s heartbreak or joy, I feel like that’s what people connect to. It’s stories that are true to me,” said Neustrom. “There all either happy times or sad times. It’s just life.

“So for me, it’s sharing my stories through song and I hope people resonate with the emotions and feel comfort maybe by connecting through music and hearing someone else’s story.

“I think it makes us feel less alone,” she said. “That would be my goal if someone can feel less lonely.”

The CD was recorded at Chad Viator’s home studio and where Neustrom recorded demos over the years.

“Chad Viator is so talented and thoughtful as a producer. In the studio, you can make things sound ways that really bring them to life in a new way,” said Neustrom. “I showed up with just my guitar, lyrics and melodies. I mean, songs that I had written and were complete, and some were not complete and we finished in the studio.

“He just was able to add a lot of emotion and support the lyrics and the sentiment of a lot of songs,” she said, referring to the production and arrangements and instrumentation or ornamentation of the songs.

Artists featured on the record include Viator, Tif Lamson, Chris Stafford, Leah Graeff, Marie-Isabelle Pautz, Michael Doucet, Chris French, Peter Dehart, Josh Leblanc and Julia Price.

Neustrom had one word for Lamson’s contributions on drums and vocal harmonies.

“Incredible,” said Neustrom, who also gave a shout-out to “my old college roommate and Swampblossoms bandmate, Marie-Isabelle Pautz.

“I had a blast making this record with friends that I love and who are so supportive and that makes all the difference in the world,” she said. “It was a beautiful experience.”

Neustrom has enough songs written for a second release. But she’s got plans in the meantime.

“I’m going to start gigging more in New Orleans and Lafayette,” she said. “I’d like to play a bunch locally in Louisiana and get to know Louisiana dancehalls in that way.

“I’d love to go on a tour,” added Neustrom. “But you kind of need to be better known, or partner with other local bands.”