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Latin Music Festival devuelve

Cimafunk headlines Latin culture fête featuring authentic cuisine, professional dancers, art and kids activities

Michelle Colón elaborates on songs, Malentina of the Lafayette Latin All-Stars, and the line-up

Michelle Colón fronts Malentina & the Lafayette Latin All-Stars, set to hit the Latin Music Festival stage at Parc International, 5:30 p.m., Saturday, October 1, 2022, in Lafayette, Louisiana.

by DOMINICK CROSS

LAFAYETTE, LA — Absent two years courtesy of COVID, the Latin Music Festival returns and is raring to go at Parc International in Downtown Lafayette, Saturday, October 1, 2022.

A new start time, 4 p.m., is in place along with Festival International de Louisiane as producer of the Asociación Cultural Latino Acadiana’s family-friendly event that showcases Latin food, dance, art, and, of course, music.

The line-up features Cuban funk superstar Cimafunk, Rumba Buena from New Orleans, Acadiana’s own Malentina & the Lafayette Latin All-Stars, as well as Latinos on the Rise, a variety show.

Tickets are $10 and are available here and at the gate. Kids 12 and under admitted at no charge.

Front and center of Malentina & the Lafayette Latin All-Stars is Michelle Colón, a native of Puerto Rico and Lafayette resident for 10 years. Colón is a singer, songwriter, and stage (most recently, “Closer,” at Cité des Arts in Downtown) and film actor.

“We’re performing some of our most established classics that people love to hear and they’re the ones we get the most requests and for good reason,” said Colón. “They’re the ones we like to play the most. So that’s a good thing.”

The band, together since February, is scheduled to take the stage at 5:30 p.m. with a set list that includes Latin classics by Eddie Palmieri, Celia Cruz, La Lupe, Willie Colón.

Other songs (viewable on YouTube) include Héctor Lavoe‘s “No Me Den Candela” at The Grouse Room, and Palmieri’s “Café,” performed at The Hideaway. Both venues are in Lafayette.

Malentina & the Lafayette Latin All-Stars

In addition, keep an ear out for a couple of originals by Colón, who has also penned songs in other genres.

“I am extremely happy we’ll be playing two original tunes,” she said. “I have plenty more, but to get a band to learn all the parts and rehearsing within enough time has been a challenge. So I decided we’d do two instead all of the rest of mine.

“I thought it was a good balance to do a few songs people have never heard before, combined with a lot of classics that they can sing along and dance to.”

The Lafayette Latin All-Stars (Editor’s note: The pedigree of these guys earns the All-Star moniker) are Josh LeBlanc (GIVERS, Serpentine Man), trumpet; Tim McFatter, saxophone; Paul Tassin, keyboard; Troy Breaux, drums; Eric Auclair, bass; Jeff George, guitar; and Evan Ceaser, congas.

Colón takes a personal interest in the songs she sings, even when they’re not her own.

“I’ve always felt that if I’m singing it, I want it to be my story,” she said. “Even the songs that I choose to cover, actually, I still think, ‘Would this be something I feel — it’s my story.’”

Colón has a procedure she follows when writing a song.

“I usually have a very good idea of what the song sounds like, which means I have the melody,” said Colón. “Now, because I cannot produce and I’m not very well versed in an instrument, I’ll usually use a piano to find my melody.”

From there, she’ll take the song to Josh LeBlanc “and he will find the chords and then he can translate that for the rest of the band,” she said. “And Troy (Breaux), because he knows so much about this music, he will lay down the percussion aspects and he will also inform the band anything in their (music) language that they wouldn’t understand otherwise.”

Malentina & the Lafayette Latin All-Stars plan play to Colón originals, “Missing Out” and La Mala.”

Colón said “Missing Out” is sung in Spanish, “but the chorus is a call and response from Spanish to English. So I decided to call it ‘Missing Out.’”

Expect “La Mala” to be the band’s opener.

“It’s interesting because I think that it’s Malentina’s signature song because Malentina, the name, I derived it from the malicious one,” she said. “I love it because I always did what everybody told me to do.

“The day that I decided that I was going to go out on my own, it just felt right to call myself ‘The Malicious One.’ It’s not about doing evil, but it is about making and breaking my rules.

“And it gives me a lot of freedom,” Colón said. “I think that’s why I suddenly feel I’ve found myself — my voice and my lyrics — because I feel free to do that.”

Which is a nice seque to…

Malentina

When not singing with the the eight-piece Latin band, Colón takes Malentina on solo endeavors, as seen and heard in Para Tí (a must see and listened to visual EP).

Michelle Colón as Malentina.

“She definitely has an esthetic; she’s definitely a persona,” said Colón. “At the end of it all, what’s cool, is that at the bottom of it all, I’m still me. And I am her. It’s impossible to divide myself from her.

“But I feel like when I embody her, I have a little more freedom to be who I want to be,” she said, adding, “which is ironic, but I think that’s just how us humans operate sometimes.”

Malentina’s “Camelia,” a full-length album with a wide-range of genres in English/Spanish, is expected to hit the streets in 2023.

As either Malentina or herself, Colón looks forward to the festival, the food and taking in the music.

“The acts we’re having — I still can’t believe Cimafunk is coming back,” she said. “I was kind of star-struck by them at Festival International.

“I’ve seen the other band that’s performing, Ruba Buena, in New Orleans,” said Colón. “And they are fantastic. In fact, there are like 10 people in one band.

“It is my hope that it sets the tone for years to come and people can expect a really bombastic and lively Latin Festival.”

Opelousas Massacre, unknown to many, to be commemorated with candlelight vigil

The event, Wednesday, September 28, 2022, will also serve as a NAACP St. Landry membership drive at the St. Landry Parish Courthouse

THIS IS A WHITE MAN’S GOVERNMENT… We regard the Reconstruction Acts (so called) of Congress as usurpations, and unconstitutional, revolutionary, and void. —Democratic Platform.’  Cartoon by Thomas Nast, published in Harper’s Weekly, September 1868. 
Library of Congress

by Dominick Cross

The Opelousas Massacre of African Americans in 1868 stands out as a breathtakingly horrible event and an ugly stain in and on Louisiana and U.S. history during the Reconstruction Era.

While there are varying accounts of what actually triggered the carnage and the number of resulting deaths, the common denominators of voter intimidation, racism, rumor, equality, election results, journalism, vigilantism and Reconstruction all dovetail into the same conclusion: Up to 300 African Americans lives were taken as they were murdered at home, in public, summarily executed or chased down and shot over several weeks; some 30-50 whites also died.

NAACP St Landry will host a Candlelight vigil, 6 p.m., in remembrance of the Opelousas Massacre, September 28, 2022, in front of the St. Landry Parish Courthouse, 118 Court St., Opelousas.
Candles will be provided. A virtual candle App for smartphones is availab
le. 

The racial massacre stands out as the worst of the Reconstruction Era that followed the four-year bloodbath known as the Civil War.

Remember the Civil War? 

It was where the people of seceded Southern states fought from 1861-1865 to keep captive fellow human beings as slaves for free labor and other nefarious pursuits, while other people from Northern states didn’t think it was such a good idea.

As we know, the good guys won and one would think that would’ve been the end of the hostilities toward African Americans in the U.S and Louisiana.

Far from it. 

And that’s where the Opelousas Massacre comes in.

Beginnings
The Reconstruction Acts of 1867 granted voting rights to African American men. As the freedmen were trying to become actual American citizens and moved to partake in all the rights and privileges of being such, White Southern Democrats felt differently.

In St. Landry Parish, Ohio native Emerson Bentley, a white Republican school teacher and an editor of the Republican Party’s St. Landry Progress newspaper (Republican and Democrats had their own papers for their agendas), wanted to assist the recently freed people to find jobs, get an education and become politically involved.

As the November 1868 presidential election neared, Republicans in Louisiana had already pretty much swept local and state offices that spring, including the governorship. Southern White Democrats were none too pleased.

In early September 1868, a large number of Black Republicans and White Democrats converged in the nearby town of Washington for a dual political rally of sorts.

Some blacks wanted to join the predominately white Democrat Party, but its members strongly insisted otherwise. Many Republicans also thought it a bad idea and encouraged blacks to remain with the party.

Prior to the meeting, a rumor circulated among the whites that Republicans planned to kill Washington residents and burn down the town. As a result, many whites in the parish, weapons in hand, headed to Washington.

In addition, a racist organization, the uniformed and armed Seymour Knights lined the street and stood at the front of the platform where speeches were held.

Following the tense rally, a procession headed back to Opelousas. Once there, a shot was fired into the air from a Republican wagon, but before any violence could occur and confusion about the incident, the two sides reportedly parted peacefully.

Shortly thereafter, the leaders of the Democrats and Republicans signed a peace treaty between the parties.

Still, Bentley was told by the Democrats why they’d arrived in Washington, locked and loaded as they were, and insisted they wanted their version of the story printed.

A newspaperman not to be intimidated, Bentley wrote about the Washington incident as he saw it. 

E.B. Beware! K.K.K.
“E.B. Beware! K.K.K.” The note was posted on the schoolhouse door where he taught. He found the message illustrated with a coffin, a skull and bones, and a dagger dripping with blood.

On the morning of September 28, 1868, three Seymour Knights went to the school where Bentley taught and wanted him to recant the story and he refused. He painfully paid for his stand.

The men beat Bentley unmercifully in front of his black students who ran out of the school and thought him dead. Thus spread the rumor of his death in the African American community.

Bentley, however, and a group of black residents, had gone on to file an affidavit at the justice of the peace office. At this time, Bentley was informed of fighting in Opelousas and urged to leave with his life, which he did, and he eventually made it back to Ohio.

The very same rumor of Bentley’s death set the Democrats in motion, too, going house-to-house to quell any Republican response and by any means possible.

The massacre was underway.

At one point in the afternoon, a group of about 29 armed black men had gathered at Halaire Paillet’s plantation, south of Opelousas. Southern Democrats arrived and told the group to unarm and return to Opelousas with them. The freedmen responded with gunfire.

A short gunfight ensued with injuries on both sides and the death of one black man. Of the the 29 blacks captured as the others fled, 27 were promptly executed.

This would be the only organized group of African Americans the whites would encounter during the massacre.

Still, whites continued to converge in Opelousas and their numbers increased to some 2,500 by that evening. In the meantime, African Americans had left their homes in the area — voluntarily or not — in fear for their lives, which they would lose if caught.

White patrols continued for two weeks or more in the region and, by some accounts, up to 300 African Americans were killed in the process in the weeks-long massacre.

In the end, the St. Landry Progress was no more as would be the Republican Party in St. Landry Parish. Also vanquished were the political gains and rights of African Americans after the Civil War.

Epilogue
After the Opelousas Massacre 154 years ago, the political parties have seemingly exchanged identities, platforms and policies.

The political parties began the slow shift as the 1964 Civil Rights Act came into being and eventually became ideologically opposed to their former selves.

Today, in a nutshell, the Democrat Party, more or less, stands up for minorities, immigrants, the working class, climate change and social issues. The Republican Party favors the business community and its interests, the wealthy, and are conservative on social issues.

So as this country tries to right its racial wrongs in the public square by the removal of confederate statues, monuments, and battle flags, as well as the renaming of military bases and streets — another contemptible movement is afoot.

That movement, spurred on by the Republican Party, is voter suppression. 

While non-violent, the Republican Party adheres to the same agenda Democrats supported for more than 100 years: Keep certain American citizens from exercising their right to vote, or installing people in office who can determine whether the vote counts once it is cast.

That said:

The NAACP St. Landry will hold a voter registration/information/membership drive, Thursday, October 6, 2022, 5-8 p.m. at Da Zydeco Shack, 4451 NW Evangeline Thruway, in Carencro, Louisiana.

Sources:

The1868 St. Landry Massacre: Reconstruction’s Deadliest Episode of Violence

Opelousas Massacre 1868

The Deadliest Massacre in Reconstruction-Era Louisiana Happened 150 Years Ago

The 1868 Louisiana Massacre That Reversed Reconstruction-Era Gains